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Who wrote the Great Epic of Mahabarta ?
Mahabharata, Adi Parva, Chapter 1, Sloka 61 to 70:
Then the greatly glorious Vyasa, addressing Brahma Parameshthi, said, "O divine Brahma, by me a poem hath been composed which is greatly respected. The mystery of the Veda, and what other subjects have been explained by me; the various rituals of the Upanishads with the Angas; the compilation of the Puranas and history formed by me and named after the three divisions of time, past, present, and future; the determination of the nature of decay, fear, disease, existence, and non-existence, a description of creeds and of the various modes of life; rule for the four castes, and the import of all the Puranas; an account of asceticism and of the duties of a religious student; the dimensions of the sun and moon, the planets, constellations, and stars, together with the duration of the four ages; the Rik, Sama and Yajur Vedas; also the Adhyatma; the sciences called Nyaya, Orthœphy and Treatment of diseases; charity and Pasupatadharma; birth celestial and human, for particular purposes; also a description of places of pilgrimage and other holy places of rivers, mountains, forests, the ocean, of heavenly cities and the kalpas; the art of war; the different kinds of nations and languages: the nature of the manners of the people; and the all-pervading spirit;--all these have been represented. But, after all, no writer of this work is to be found on earth.'
Mahabharata, Adi Parva, Chapter 1, Sloka 71 to 73:
"Brahma said. 'I esteem thee for thy knowledge of divine mysteries, before the whole body of celebrated Munis distinguished for the sanctity of their lives. I know thou hast revealed the divine word, even from its first utterance, in the language of truth. Thou hast called thy present work a poem, wherefore it shall be a poem. There shall be no poets whose works may equal the descriptions of this poem, even, as the three other modes called Asrama are ever unequal in merit to the domestic Asrama.
Let Ganesa be thought of, O Muni, for the purpose of writing the poem.'
Mahabharata, Adi Parva, Chapter 1, Sloka 74 to 80:
"Sauti said, 'Brahma having thus spoken to Vyasa, retired to his own abode. Then Vyasa began to call to mind Ganesa. And Ganesa, obviator of obstacles, ready to fulfil the desires of his votaries, was no sooner thought of, than he repaired to the place where Vyasa was seated.
And when he had been saluted, and was seated, Vyasa addressed him thus, 'O guide of the Ganas! be thou the writer of the Bharata which I have formed in my imagination, and which I am about to repeat."
"Ganesa, upon hearing this address, thus answered, 'I will become the writer of thy work, provided my pen do not for a moment cease writing."
And Vyasa said unto that divinity, 'Wherever there be anything thou dost not comprehend, cease to continue writing.' Ganesa having signified his assent, by repeating the word Om! proceeded to write; and Vyasa began; and by way of diversion, he knit the knots of composition exceeding close; by doing which, he dictated this work according to his engagement.
Mahabharata, Adi Parva, Chapter 1, Sloka 81 to 83:
I am (continued Sauti) acquainted with eight thousand and eight hundred verses, and so is Suka, and perhaps Sanjaya. From the mysteriousness of their meaning, O Muni, no one is able, to this day, to penetrate those closely knit difficult slokas. Even the omniscient Ganesa took a moment to consider; while Vyasa, however, continued to compose other verses in great abundance.
The Mahabharata text (Adi Parva, Chapter 1, Slokas 60 to 83) is available from pages 12 & 13 (PDF book pages 21 & 22) "Mahabharatam with the commentary of Nilakantha', Chitrashala Press, Poona, 1929.
What happened to the Original Mahabharata
The most authentic and complete account of the epic as we have it today is the Critical Edition of the Mahabharata which was published by the Bhandarkar Oriental Research Institute (BORI), Pune. It comprises of 18 divisions (or Parvas or Parvans) which include over 89000 verses spread across 19 Volumes and over 15000 pages.
It was a result of the efforts of several scholars who studied over 1259 paper and palm leaf manuscripts for over 5 decades. The critical edition was released on September 22, 1966 by Dr. S Radhakrishnan and forms the basis for all later editions.
According to BORI, the oldest of these paper and palm leaf manuscripts date back to 1320 AD and 906 AD respectively and are in several languages and scripts. These manuscripts are the oldest literature on Mahabharat that we possess today.
Sources:
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THIS POST IS FOR SHARING KNOWLEDGE ONLY
NO INTETION TO VIOLATE ANY COPY RIGHTS
Mahabharata, Adi Parva, Chapter 1, Sloka 61 to 70:
Then the greatly glorious Vyasa, addressing Brahma Parameshthi, said, "O divine Brahma, by me a poem hath been composed which is greatly respected. The mystery of the Veda, and what other subjects have been explained by me; the various rituals of the Upanishads with the Angas; the compilation of the Puranas and history formed by me and named after the three divisions of time, past, present, and future; the determination of the nature of decay, fear, disease, existence, and non-existence, a description of creeds and of the various modes of life; rule for the four castes, and the import of all the Puranas; an account of asceticism and of the duties of a religious student; the dimensions of the sun and moon, the planets, constellations, and stars, together with the duration of the four ages; the Rik, Sama and Yajur Vedas; also the Adhyatma; the sciences called Nyaya, Orthœphy and Treatment of diseases; charity and Pasupatadharma; birth celestial and human, for particular purposes; also a description of places of pilgrimage and other holy places of rivers, mountains, forests, the ocean, of heavenly cities and the kalpas; the art of war; the different kinds of nations and languages: the nature of the manners of the people; and the all-pervading spirit;--all these have been represented. But, after all, no writer of this work is to be found on earth.'
Mahabharata, Adi Parva, Chapter 1, Sloka 71 to 73:
"Brahma said. 'I esteem thee for thy knowledge of divine mysteries, before the whole body of celebrated Munis distinguished for the sanctity of their lives. I know thou hast revealed the divine word, even from its first utterance, in the language of truth. Thou hast called thy present work a poem, wherefore it shall be a poem. There shall be no poets whose works may equal the descriptions of this poem, even, as the three other modes called Asrama are ever unequal in merit to the domestic Asrama.
Let Ganesa be thought of, O Muni, for the purpose of writing the poem.'
Mahabharata, Adi Parva, Chapter 1, Sloka 74 to 80:
"Sauti said, 'Brahma having thus spoken to Vyasa, retired to his own abode. Then Vyasa began to call to mind Ganesa. And Ganesa, obviator of obstacles, ready to fulfil the desires of his votaries, was no sooner thought of, than he repaired to the place where Vyasa was seated.
And when he had been saluted, and was seated, Vyasa addressed him thus, 'O guide of the Ganas! be thou the writer of the Bharata which I have formed in my imagination, and which I am about to repeat."
"Ganesa, upon hearing this address, thus answered, 'I will become the writer of thy work, provided my pen do not for a moment cease writing."
And Vyasa said unto that divinity, 'Wherever there be anything thou dost not comprehend, cease to continue writing.' Ganesa having signified his assent, by repeating the word Om! proceeded to write; and Vyasa began; and by way of diversion, he knit the knots of composition exceeding close; by doing which, he dictated this work according to his engagement.
Mahabharata, Adi Parva, Chapter 1, Sloka 81 to 83:
I am (continued Sauti) acquainted with eight thousand and eight hundred verses, and so is Suka, and perhaps Sanjaya. From the mysteriousness of their meaning, O Muni, no one is able, to this day, to penetrate those closely knit difficult slokas. Even the omniscient Ganesa took a moment to consider; while Vyasa, however, continued to compose other verses in great abundance.
The Mahabharata text (Adi Parva, Chapter 1, Slokas 60 to 83) is available from pages 12 & 13 (PDF book pages 21 & 22) "Mahabharatam with the commentary of Nilakantha', Chitrashala Press, Poona, 1929.
What happened to the Original Mahabharata
The most authentic and complete account of the epic as we have it today is the Critical Edition of the Mahabharata which was published by the Bhandarkar Oriental Research Institute (BORI), Pune. It comprises of 18 divisions (or Parvas or Parvans) which include over 89000 verses spread across 19 Volumes and over 15000 pages.
It was a result of the efforts of several scholars who studied over 1259 paper and palm leaf manuscripts for over 5 decades. The critical edition was released on September 22, 1966 by Dr. S Radhakrishnan and forms the basis for all later editions.
According to BORI, the oldest of these paper and palm leaf manuscripts date back to 1320 AD and 906 AD respectively and are in several languages and scripts. These manuscripts are the oldest literature on Mahabharat that we possess today.
Sources:
quora
yahoo answers
THIS POST IS FOR SHARING KNOWLEDGE ONLY
NO INTETION TO VIOLATE ANY COPY RIGHTS